I've read reviews saying Cianfrance isn't clear about what went wrong as they got from there to here. It was about inner defeat and the exhaustion of hope.
This wasn't a story with convenient hooks involving things like, you know, disease - things stories are familiar with. They were writing about something ineffable, a void, a need. I wonder what kind of script conferences Cianfrance had with his co-writers, Joey Curtis and Cami Delavigne. It's his infuriating inability to care for this Cindy, right here, right now, because when she married him, she became exactly the Cindy he required. No, she doesn't become a drunk - he's the one who drinks too much. Williams plays Cindy as a woman who has lost her pride of body and self. He never signed off on the grow old along with me part. He wanted to be married to Cindy, and he still does and he still is. From Dean's point of view, maybe nothing did. "Blue Valentine" moves between past and present as if trying to remember what went wrong. Can you see the difference between (1) "He loves me as much as he always did," and (2) "He loves me exactly like he always did"? He seems to stay fixed at the initial stage. Then they get married and have (the unplanned but welcomed) Frankie, and the realities of making a living and work schedules and child-raising and real marriage settle in. They do things together as if they were children doing them. Soon they're playing at this new toy, their love. Have you ever had one of those chance meetings with a stranger in a place neither one of you belongs? A space empty of your lives, so that you start new with your first conversation and plunge straight ahead into a suddenly new future? They first meet at her grandmother's retirement home. Dean is capable of grand goofy romanticism, and Cindy likes that. Williams plays a woman who sits inside her body and no longer knows what it's for and what she wants to do with it.Īll marriages have milestone moments, events of startling clarity that allow the new lovers to see themselves as a couple who have been defined. Though some bodily change occurs, what really happens is a transformation of inner certainty.
It is easier for an actor to play the same character at 24 and 60 than at 24 and 30.
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In effective physical transformations, Williams and Gosling give us Dean and Cindy at two ages: their age at present, and at the beginning, when they were filled with that dreamy knowledge that the touch of the other brings quick sensuality. Nonton Online Film Bioskop Sub Indo Streaming Box Office Lebah Movie sebelumnya Nonton XXI adalah sebuah situs movie nonton online streaming XXI online gratis subtitle indonesia.
It was where they went to and where they returned from. When they met, and for some time after, work was hardly central to their lives. They're played by Ryan Gosling and Michelle Williams as a Pennsylvania working-class couple with a daughter, Frankie.
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